Tuesday, February 10, 2015

English 2: Life of Pi

Fantastic Literature overview
Write a 2-sentence summary (What was it about? What was the message?) for each section.
  • 2/10/15—Author’s Note, Chapters 1-3
  • 2/11/15—Chapters 4-7
  • 2/12/15—Chapters 8-14
  • 2/13/15—Chapters 15-20
  • Weekend—Chapters 20-29
  • 2/16/15—Chapters 30-36
  • 2/17/15—Chapters 37-42
  • 2/18/15—Chapters 43-46
  • 2/19/15—Chapters 47-51
  • 2/20/15—Chapters 52-56
  • Weekend—Chapters 57-60
  • 2/23/15—Chapters 61-65
  • 2/24/15—Chapters 66-76
  • 2/25/15—Chapters 77-83
  • 2/26/15—Chapters 84-89
  • 2/27/15—Chapters 90-91
  • Weekend—Chapter 92
  • 3/2/15—Chapters 93-98
  • 3/3/15—Chapter 99
  • 3/4/15—Chapter 100
  • Book Essay

English 4: The Great Gatsby (1-3)

  • Idea versus Reality
    • 13.5 inflation since 1922 ($80=$1078)
  • The Smokescreens: 
    • the light
    • the parties
    • the rumors
    • the affairs
  • Stereotypes versus Archetypes: 
    • sleeping beauty
    • the jock
    • the mistress
    • the romantic
    • the socialite
    • the faux intellectual 
  • The Shadows
    • Gatsby versus Buchanan versus Nick
    • Daisy versus Myrtle versus Jordan
  • Is Nick Caraway a reliable narrator?
  • Who is Jay Gatsby?
  • Chapters 1-3
    • What are your first impressions of Tom Buchanan, Daisy Buchanan, Jordan Baker, and Nick Caraway? Support and explain.
    • Does money buy happiness? Support and explain.
    • Are these characters “seizing the moment” or drifting through life? Support and explain.
    • Does Myrtle really believe what Tom is selling? Support and explain.
    • The Parties—outsiders, stranger danger, gossip (2-sentence summary on just the parties)

English 4: Fahrenheit 451 (Part 1)

The Hearth and the Salamander
  • What do the first lines of the book tell us about the main character? Explain fully.
  • What does the first meeting between Guy Montag and Clarisse McClellen tell us about each character? Explain fully.
  • What is a parlor wall? What current technology is similar?
  • What are seashells? What current technology is similar?
  • How does the interaction with the EMTs affect Montag? Explain fully.
  • What kind of a person is Mildred? How is she a perfect example of her society? Explain.
  • Is the description of entertainment on the parlor walls similar to modern television shows? Explain fully.
  • What is a fireman’s purpose in the world of Fahrenheit 451? Explain fully.
  • What is the Hound? What current technology is similar?
  • What is Beatty, Montag’s boss, like? Explain fully.
  • Does Clarisse’s description of school sound familiar to you? Explain fully.
  • What mood does the quick passage of time paired with the snippets of conversation set?
  • What kinds of things are foreshadowed in Part One? Explain fully.
  • How does the old woman’s suicide affect Montag? Why does it? Explain fully.
  • What secret is Montag keeping?
  • What is Clarisse’s fate? How does Montag find out?
  • What implications come from the fact that Montag and Mildred don’t remember how they first met? What does this imply about how they live?
  • Why does Beatty visit Montag at home? Explain fully.
  • How does Beatty explain the world? How is this similar to our world? How is it different?
  • Why does Montag tell Mildred about the books? What is he hoping will happen? Why can’t it ever happen?

Honors 4: Brave New World (5-8)

Chapter 5
  • What is the effect of soma (based on Henry and Lenina's usage)? What is the purpose of soma?
  • What is Huxely trying to say using soma as his reference point?
  • Discuss a drug that is overused or overprescribed today—what purpose does it serve?
  • Why and how has Lenina already seen the control The One World Government exerts?
  • How hard or easy it si to ignore things that make us uncomfortable? Why do we do it?
  • What does it mean to be “bottled”? Support and explain.
  • Why does Huxley bastardize Christian communion in his "Solidarity Service"? What point is he trying to make?
  • Why does Bernard need to fake his religious experience? Support and explain.
  • How is human life shown to be of little value in this chapter?

Chapter 6
  • Why does Bernard have sex with Lenina if he doesn't want to and he needs to be drugged to do it? Support and explain.
  • What is Huxley pointing out about peer pressure with the Lenina/Bernard relationship? Support and explain.
  • Why does the Director tell Bernard anything personal? Why does he then threaten him? Support and explain.
  • What does the conversation with Bernard and the Director foreshadow (nothing to do with Iceland!)? Support and explain.
  • Why does the Director really plan on sending Bernard to Iceland? Support and explain.
  • What social commentary is Huxley making about the reservations? Support and explain.

Chapter 7
  • Does Huxley appear to have done research on actual Native American culture? Support and explain.
  • What does Bernard realize when he meets John? Support and explain.
  • John represents the "every man" in this story—what does that mean? Support and explain.
  • How are Linda and Lenina shadows? Who else are shadows? Support and explain.

Chapter 8
  • What do John, Bernard, and Lenina have in common? Support and explain.
  • Is Shakespeare something citizens of The World State would have easy access too? Why is Shakespeare dangerous? Support and explain.
  • Does Bernard have any sense of what events he may be setting in motion by bringing John "home"? Support and explain.
  • Does Bernard want anything from John besides the potential embarrassment of the Director? Support and explain.
  • Why are human connections dangerous to the One World Government? Support and explain.
  • What do Lenina, Bernard, and John really want (from each other? from life?)?

Poetry: Poems (week 1, 2)


  • 2/3/15––"In a Station of the Metro" by Ezra Pound (1913)
    • Reaction paragraph
    • Notes on Craft vs. Art
  • 2/4/15––"Fog" by Carl Sandburg (1916)
    • Reaction Paragraph
    • Notes on Breath, Universal Images
  • 2/5/15––"To His Coy Mistress" by Andrew Marvell (1681)
    • Either update it or write "her" reaction
    • Analytical Paragraph
    • Notes on Imagery
  • 2/6/15––"To Autumn" by John Keats (1820)
    • Seasonal poem
    • Analytical paragraph
  • 2/9/15––Read chapter 1 of A Poetry Handbook or Rules for the Dance
  • 2/10/15––"Aftermath" by Amy Lowell (1912)
    • Heartbreak poem (does not need to be romantic)
    • Analytical Paragraph
  • 2/11/15––"anyone lived in a pretty how town" by e.e. cummings (1940)
    • Discuss how this is three poems?
    • What is each of the poems about? 
    • What is the purpose of the three-in-one poem?
  • 2/12/15––"The Emperor of Ice Cream" by Wallace Stevens (1954)
    • Poem about childhood aspirations
    • Analytical Paragraph
    • Notes on Universal Themes
  • 2/13/15––"All Along the Watchtower" by Bob Dylan (1967)
    • The lyrics
    • Bob Dylan
    • Jimi Hendrix
    • P.O.S.
    • Analytical Paragraph
  • Choose one poem and one paragraph to turn in today (2/13/15)

Poetry: Notes (week 1, 2)

  • Craft versus “Art”
    • A poem is an affair between the spark and the mind
    • Creative spark (genius)
    • Commitment to regular writing is required
  • Prose: written within the confines of margins
  • Poetry: written in lines that don’t pay attention to (especially the right) margins OR a structure of lines and rhythmic energy and repetitive sound; a blending of statement and form that is intentional and clarifying
    • Beat pattern (rhythm)
    • Structure (lines, stanzas)
    • Content (statement)
  • Metrical Poems
    • Set and specific rhyme scheme
    • Set and specific patterns and line lengths
    • Doesn’t use ordinary language
    • Metrical poems have a musical quality
    • Inflection helps release meaning – create tones and shapes
  • Modern Poetry (aka. Free Verse)
    • Think about writing
    • Talk about writing
    • Write
    • Patience and diligence
  • Breath
    • Intake and flow, life
    • Pattern
    • Indicator of hidden things
    • Repetition makes pattern
    • Metrical verse was meant to be heard out loud
  • Universal Images
    • Imagination and intelligence are required
    • The five senses
    • Recall, organize, conceptualize, meditate
  • Universal Themes
    • Life and Death
    • Love and Loss
    • Nature (The Physical World)
      • Poetry tries to marry the world of thought with the world of nature
      • As the world of nature changes, we risk losing touch with older poems; our experience must in some way match the nature of the experiences of the author
    • Human Nature—what does it mean to be human? why are we here?
  • Imagery: the representation of one thing by another thing
    • Figurative language: figure of speech, specific type of language; another term for imagery
      • Detailed, sensory language
      • Incorporates images
      • Particulars
      • Visual cue versus informational cue
      • Needs an article to keep it concrete
    • Sensory detail (as in uses the five senses)
    • Develops texture


Friday, February 6, 2015

English 2: Common Core Essay (& Vocabulary)

In-class essay tied to Task 2 or Task 3 in the Common Core booklet

For February 16 Quiz:
  • Allusion: a historical or cultural reference to something outside the piece of literature (figurative language/literary device)
  • Analogy: a comparison of two things (figurative language/literary device)
  • Archetypes: (in Jungian psychology) a collectively inherited unconscious idea, pattern of thought, image, etc., universally present in individual psyches.
    • Anti-hero: Never overcomes inner demons and is, instead, destroyed by them; can be an outlaw or villain to society, but is sympathetic to the audience; cynical or wounded (type of archetype)
  • Breath: the center of being alive; its rhythm indicates mood
  • Cannon of Literature: a list of works, compiled by experts that represent an author, time period, or society
  • Characterization: creating and establishing specific individuals (characters) in a story, poem, or film (literary device)
  • Comedy: meant to amuse; all problems work out perfectly in the end
  • Connotation: secondary or associated meanings for a word (connected to denotation)